Fernanda Torres has found herself in a whirlwind of controversy after a comedy sketch from nearly two decades ago resurfaced showing the Oscar nominee in blackface.
At 59, Torres is no stranger to the spotlight, but this isn’t the kind of attention any actor wants. The Brazilian actress, nominated for her role in “I’m Still Here,” apologised after the controversial footage aired again, sparking criticism.
Back in the day, Torres performed a sketch on Brazilian TV show Fantástico, where she appeared in blackface as a character. Speaking to Deadline, she expressed regret, emphasising her desire to mitigate further distress.
The actress explained that despite efforts by Black movements, awareness of blackface’s racial insensitivity was not widespread in Brazil at the time. However, Torres acknowledged that it is now understood as utterly unacceptable.
Torres took on several personas during the sketch, including a housekeeper presented in an exaggerated manner. It humorously portrayed a family’s dynamics, questioning whether mothers or fathers were more important.
In the skit, her character Solange considered leaving her husband due to her hectic routine. Torres, also playing the housekeeper, sported a heavy layer of dark makeup, cracking a whip and tossing hamburgers — an exaggerated portrayal that critics found offensive.
As social media users criticised her, Torres highlighted the significance of discussing these issues to avoid normalising racism. She stated, “It’s important for me to address this swiftly to avoid further pain and confusion.”
Interestingly, Torres’ apology echoes the cultural strides made in understanding racism’s symbolic significance. Yet the backlash indicates how deep these issues run, with some users drawing parallels to similar controversies, like Zoe Saldaña’s portrayal of Nina Simone.
Now celebrated for her role in “I’m Still Here,” Torres sheds light on Brazil’s past, reminding audiences of cultural lessons yet to be learned. Her impactful performance as Eunice Paiva, a woman fighting against Brazil’s dictatorship, contrasts starkly with the backlash she’s facing now.
The resurfacing of Torres’ sketch serves as a reminder of the cultural progress society strives for. While making headlines for the wrong reasons, her apology reflects an attempt to foster understanding and change in a world still grappling with its past.
